Shweta Tiwari In A Blue Dress Shweta Tiwari sported a sleeveless keyhole-neckline blue straight dress, which was accentuated by ruffles on the bodice. Her full-length dress featured a thigh-high front slit that added stylish quotient to her look while the thin golden belt cinched her waist and added structure to her attire. The Kasautii Zindagii Kay actress completed her look with a pair of shiny silver heels that had subtle dotted prints. Shweta let loose her side-parted straight layered tresses and spruced up her look with filled brows, black eyeliner, light-hued eye shadow, and pink lip shade. … [Read more...] about Shweta Tiwari Blossoms Like A Pretty Flower In Her Blue And Yellow Dresses, Pick Your Favourite One!
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Paava Kadhaigal: An Exercise In Scandalizing A Complacent Audience By Appropriating Trauma
The last segment, Oor Iravu, by Vetri Maaran, is about how a woman who eloped to marry her lover, hopes that her father and family will accept her again. Her wish seems to come true when her father comes to see her and promises a baby shower. In most of India, a baby (biological) is seen as a miracle that will magically reunite estranged parents, bring marital harmony and in this case, win over the grandparents and create a big happy family where all will be forgiven. Fortunately, this film, quashes that illogical assumption and doesn't forgive a conniving and murderous father. In this film Sai Pallavi's character, who is her father's favourite, elopes to marry a person of a lower caste. When her father comes to meet her with hopes and promises of reconciliation, it is worth noting that he doesn't even accept a glass of water from the husband. It is a mark of how ingrained the caste system is in the Indian culture that the husband does not revolt at this mistreatment. While this scene … [Read more...] about Paava Kadhaigal: An Exercise In Scandalizing A Complacent Audience By Appropriating Trauma
